The Journal of Film Music
The upcoming issue will focus on Bernard Herrmann
The Herrmann contents: (http://www.ifms-jfm.org/)
William H. Rosar:
Bernard Herrmann: The Beethoven of Film Music?
Thomas DeMary:
The Mystery of Herrmann’s Music for Selznick’s A Portrait of Jennie
Ronald Burbella:
A Note on Commercial Recordings of Herrmann’s “Jennie’s Song” from A Portrait of Jennie
E. Todd Fiegel:
Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still
James Wierzbicki:
Grand Illusion: The “Storm Cloud” Music in Hitchcock’s The Man Who Knew Too Much
David Cooper:
Film Form and Musical Form in Bernard Herrmann’s Score to Vertigo
William Wrobel:
Self Borrowing in the Music of Bernard Herrmann
Review:
Richard Littlefield: A Heart at Fire’s Center: The Life and Music of Bernard Herrmann by Steven C. Smith