Herrmann season on TCM in September
From the suspense of Alfred Hitchcock to the marvels of Ray Harryhausen, Bernard Herrmann spent years as one of Hollywood’s most sought-after film composers. His lush and sometimes experimental scores have made movie fans scream with delight over the shower scene in Psycho (1960), sit on the edge of their seats while Sinbad fights a sword-wielding skeleton in The Seventh Voyage of Sinbad (1958), relish in the cinematic artistry of Citizen Kane (1941) or dance to the demonic jig in The Devil and Daniel Webster (1941).
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